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Christian poetry, English (Middle) --- Jesus Christ --- Poetry --- Poetry. --- Christian poetry, English (Middle). --- Jesus Christ - Poetry
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The fifteenth-century scholar and Augustinian friar John Capgrave took as his subject the virgin martyr Katherine of Alexandria, who was an anomalous cultural icon, a scholar, and a sovereign whose story unsettled traditional gender stereotypes yet was widely popular throughout Western Europe. Capgrave’s Life of Saint Katherine of Alexandria (ca. 1445) stands out among the hundreds of surviving vernacular and Latin narrations about the saint by its intricate plotting, its moral complexity, its obtrusive Chaucerian narrator, and its attention to psychology, history, and theology. The Life of Saint Katherine is a bold literary experiment that transforms the genre of the saint’s life by infusing it with conventions and techniques more often associated with chronicles, mystery plays, fabliaux, and romances. In Capgrave’s hands, Katherine emerges as a sensitive and studious young woman torn between social responsibilities and personal desires. Her story unfolds in a vividly realized world of political turmoil and religious repression that, as Capgrave’s readers were bound to suspect, had everything to do with the England they inhabited and its recent past. Katherine’s debate with her lords anticipates arguments for and against female rule that would be made in Tudor England, when the ascensions of Mary I and then Elizabeth I made gynecocracy a political reality, while her debate with the philosophers is a daring exercise in vernacular theology that flouts the censorship then current. Winstead’s translation - the first into idiomatic modern English - brings to life Capgrave’s sharply drawn characters, compelling plot, and complex, unsettling moral. Its promotion of an informed, intellectualized Christianity during a period known for censorship and repression illuminates the struggle over the definition of orthodoxy that was excited by the perceived threat of Lollard heresy during the fifteenth century. This volume also includes an appendix with passages of Capgrave’s original Middle English and literal translations into modern English, providing a valuable tool for teachers and students.
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Christian poetry, English (Middle) --- History and criticism. --- Criticism, Textual. --- Sources. --- Cursor mundi. --- Bible --- In literature. --- -Christian poetry, English (Middle) --- -Christian poetry, English --- Christian poetry, Middle English --- English Christian poetry, Middle --- Middle English Christian poetry --- English poetry --- Criticism, Textual --- History and criticism --- Sources --- -Criticism, Textual --- Christian poetry, English --- Biblia --- Christian poetry, English (Middle) - History and criticism. --- Christian poetry, English (Middle) - Criticism, Textual. --- Christian poetry, English (Middle) - Sources.
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"This mid fourteenth-century poem, a discussion of the 'contempt of the world' and the 'Four Last Things', was one of the most popular Middle English texts in its time, as indicated by the large number of extant copies, and illustrations of it in the windows of All Saints, North Street, in York. It was a widely influential compendium of religious instruction, originating in Yorkshire, but more widely disseminated, and thus representing this important regional culture, as well as its absorption into a nationwide religious culture. The only edition, by Richard Morris (1863), is now generally unavailable outside research libraries. The present edition revises Morris's text extensively and offers full modern annotation, including extensive discussion of the poem's sources. Morris's text, although based on an exceptionally good manuscript copy, has been fully collated with the principal early manuscripts; this information is presented in a separate textual commentary. There is an introduction presenting the poem in its context and a Glossary."--Publisher's website.
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